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Prince of Persia

Having completed extensive previz work through Nvizage, Nvizible carried on to do over 190 visual effects shots for Disney/Bruckheimer's Prince of Persia.

Some of the movie's major set pieces feature background composites by us, including the night-time 'time-turning' scene by the river, the battle at the desert oasis, the seige of the city, and the arrival of the Persian army out of a sandstorm at the beginning of the film.

We worked alongside other major vfx vendors, including Double Negative, MPC and Framestore, ensuring seamless handovers from one team to the next.

In addition to a lot of challenging bluescreen compositing, we also created flying daggers, sandstorms, flying arrows and sparks. We added the blade of Tamina's sword and removed copious amounts of blood deemed too shocking for the film's audience. We removed jeep tracks from the desert. And we replicated and enhanced armies.

It was a very enjoyable and challenging project to work on, and we would like to thank vfx supervisor Tom Wood and vfx producer Sharon Lark for the opportunity. Nvizible's work was supervised in-house by Paddy Eason.

  • Studio

    Disney/Bruckheimer
  • Director

    Mike Newell
  • VFX Producer

    Sharon Lark
  • VFX Supervisor

    Tom Wood